BLACKMAGIC DESIGN - URSA Broadcast G2

€ 3.595,72 excl. VAT
€ 4.314,86 incl. VAT

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Description

URSA Broadcast is an advanced Ultra HD broadcast camera that works with your existing HD or Ultra HD B4 lenses so you can shoot HD today and switch to Ultra HD when you’re ready! You get professional broadcast controls, built in ND filters, non stop 12-bit recording of ProRes and DNx files to dual SD UHS-IIor CFast cards, and new extended video range for stunning broadcast ready shots that can go straight to air. URSA Broadcast is two cameras in one. Use it for production work or add a Blackmagic URSA Studio Viewfinder to turn it into a live studio camera with remote control and built in color corrector!

URSA Broadcast features a super strong magnesium alloy body that makes it durable enough to use in the most extreme environments. The magnesium alloy also makes it lightweight and helps to keep the camera cool by piping heat into an exchanger that allows convection cooling and heat dissipation from the camera’s body. You get professional connections, an external display,
foldout touch screen and 9 mounting points for adding accessories and building custom rigs.

URSA Broadcast has been designed from the ground up to be comfortable enough to
use all day and small enough to be taken anywhere. The weight is evenly distributed so
the camera is balanced, making it comfortable to use for both handheld and over the
shoulder shooting. The optional shoulder mount kit is designed to help support the camera, making it a natural extension of your body. There’s even a quick release mount that lets
you go from handheld to shoulder to tripod in seconds.

Like most traditional broadcast cameras,
URSA Broadcast puts the most important controls
on the outside of the camera body so you can quickly change settings without having to take your eyes off
the action. All of the control buttons, switches and dials
are grouped logically, making them easy to remember.
That means you’ll be able to operate controls on the camera by feel and without having to look at the buttons or hunt through menus. URSA Broadcast combines the familiar ergonomics of a broadcast camera with incredible image quality in an extremely tough, durable design.

When you’re in the middle of a shoot, you need
to be able to quickly check important shooting and
status information. The status screen on URSA Broadcast features a bright, status display that’s designed to be
easily seen, with or without the backlight on. You can
see timecode, shutter and lens settings, battery, record status and audio levels at a glance. When shooting in a
dimly lit environment, simply turn the backlight on to see
the screen. When you’re outside, the backlight can be turned off for even more contrast, making it highly
visible and crystal clear in broad daylight!

URSA Broadcast features a revolutionary interchangeable lens mount that lets you quickly switch between B4, EF, PL and F mount lenses, making it compatible with the widest possible range of lenses. It comes standard with a B4 lens mount and you can purchase optional EF, PL and F mounts separately. That means you can work with everything from HD or Ultra HD B4 lenses, high quality photographic EF and F mount lenses, and even cinematic PL lenses, all with the same camera!

When it comes to recording, URSA Broadcast has dual
CFast 2.0 recorders and dual SD/UHS-II card recorders,
so you can choose the type of media that works best
for you. CFast and SD/UHS-II cards are ideal for recording full resolution Ultra HD in DNx and ProRes formats, or even as lossless 12-bit RAW files. Regular SD cards, which are inexpensive and commonly available, are perfect for recording high definition video. When a card is full, recording automatically continues onto the next one
so you never have to stop shooting.

URSA Broadcast features Blackmagic OS software designed to make using your camera faster and more intuitive than ever. All important camera functions can be accessed with
a single tap on the heads up display, there’s an elegant digital “slate” that makes direct entry of metadata fast and simple. The heads up display uses simple tap and swipe gestures for recording options, monitoring, audio, camera setup, presets and more. The layout is logical and intuitive, and there are no confusing menus. That makes URSA Broadcast fast to use, so you’ll never waste time or miss a shot while changing settings again!

While URSA Broadcast is designed to include everything you need to start shooting, you can also customize it with genuine Blackmagic accessories that let you build the perfect camera for your production. The optional shoulder mount kit with integrated tripod quick release plate and electronic viewfinder are perfect for ENG style shooting. Plus, there’s a top mount handle that lets you carry the camera from the top, which is great when you need to get shots down low near the ground. You can turn URSA Broadcast into a full blown studio camera with the URSA Studio Viewfinder and URSA Fiber Converter.
There’s an entire family of accessories available, such as interchangeable lens mounts, a mic mount, battery plates, SSD recorder and more, so you’ll be prepared for any type of shoot! However more importantly all accessory connections are standard, so you can also choose from a wide range of third party accessories as well!

Unlike other professional cameras that require custom cables, URSA Broadcast features
industry standard broadcast quality connections so you can use cables you already have!
You get the latest 12G-SDI and separate HD-SDI video outputs along with 12V power for connecting electronic viewfinders. For audio, there are 2 XLR inputs for balanced or digital audio with 48V of switchable phantom power for external microphones. URSA Broadcast also includes
a Hirose 12-pin lens control connector, LANC, a standard 4 pin XLR power connector and URSA battery plate internal power connector that lets you use V-Mount and Gold mount battery plates.

When you’re doing professional work you want to make sure you can securely connect the things you need, like external microphones, large lenses, and more. URSA Broadcast can be customized with standard 3rd party camera accessories including rails and matte boxes so you can build a custom rig that fits your production! There are standard ¼” threaded points positioned over the top and bottom of the camera to make it easy to add the things you need. The optional shoulder mount kit also includes a quick lock tripod mount so you can take your fully rigged URSA Broadcast from the tripod to your shoulder in seconds! Plus, the wide range of mounting points let you mount cameras in locations on set so you can set up for extra sources when live shooting!

12 Month Limited Manufacturer's Warranty.

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After-sales service for this product is supported by Blackmagic Design directly.

You may reach Blackmagic Design at the following email address support-emea@blackmagic-design.com
and by phone at 00 44 1565 380 049.

Included

Whats in the box
What's in the box
URSA Broadcast body
Turret dust cap
B4 lens mount
Power supply
SD card with software and manual

Technical features

Camera features
Effective Sensor Size
2/3 inch sensor size when using 4K B4 mount (Actual sensor size 13.056mm x 7.344mm)
Shooting resolutions
3840x2160, 1920x1080
Dynamic range
12 Stops+
Lens mount
B4 2/3 inch
Iris control
Iris wheel and touchscreen slider for manual iris adjustment on electronically controllable lenses, iris button for instant auto iris settings on compatible lenses so no pixel is clipped in film mode. Scene average auto exposure in video and extended video mode.
Built-in filters
Four position ND filter wheel with clear, 2‑stop, 4‑stop and 6‑stop ND filters.
Screen dimensions
4 inch
Screen type
LCD capacitive touchscreen
Metadata support
Automatically populated lens data from electronic B4 lenses. Automatic recording of camera settings and slate data such as project, scene number, take and special notes.
Controls
Touchscreen menus on 4 inch screen.
Push buttons for other controls.
2 assignable shortcut keys.
Recording Format (Video)
DNxHD 1920x1080 and 1920x1080i with either film, video or extended video dynamic range. Apple ProRes 3840x2160 and 1920x1080 with either film, video or extended video dynamic range. Lossless CinemaDNG RAW, RAW 3:1 and RAW 4:1 with film dynamic range at 3840x2160.
Focus & exposure control
Focus button turns on peaking, auto focus available using compatible lenses with focus servo.
Timecode Clock
Highly accurate timecode clock. Less than 1 frame drift every 8 hours.
Lens Specifications
Lens Control
Electronic control via 12‑pin broadcast connector. Control also possible vEF mia ount pins when using optional URSA Mini Pro EF Mount.
Connections
SDI Video Input
1 x SDI
SDI Video Output
1 x SDI, 1 x SDI Monitoring.
Analog Audio Inputs
2 x XLR switchable between mic, line and AES digital audio. Phantom power support.
Analog Audio Outputs
1 x 3.5mm headphone jack, supports iPhone microphone for talkback.
Color Science
Color Correction
DaVinci YRGB.
Audio
Built-in Microphone
Integrated stereo microphone.
Built-in Speaker
1 x mono speaker.
Media
Media
2 x CFast for 4K RAW and ProRes recording. 2 x SD UHS‑II card slots for HD and Ultra HD recording
Type
Can format cards to ExFAT for Windows and Mac or HFS+ for Mac (file systems).
Supported Codecs
DNxHD 220X, DNxHD 145, Apple ProRes 4444 XQ QuickTime, ProRes 4444 QuickTime, ProRes 422 HQ QuickTime, ProRes 422 QuickTime, ProRes 422 LT QuickTime and ProRes 422 Proxy QuickTime, CinemaDNG RAW, CinemaDNG RAW 3:1, CinemaDNG RAW 4:1.
Control
External Control
Blackmagic SDI Control Protocol, iPad control via Bluetooth, 2 x 2.5mm LANC for lens and record control.
Software
Configuration
USB Type‑C for software updates.
Operating Systems
Mac 10.11 El Capitan,
Mac 10.12 Sierra,
Mac 10.13 High Sierra or later.
Windows 8.1 or Windows 10.
Software Included
URSA Mini Operating System
Blackmagic Camera Setup
Power
Battery & chargers
1 x External 12V power supply.
Power Input
1 x 4‑pin XLR port for external power or battery use.
1 x 12‑pin Molex connector on rear battery plate.
Power
Rear camera mount compatible with industry standard V‑mount or gold mount battery plates.
Inputs/Outputs
Remote Terminal
2 x 2.5mm LANC input for Rec Start/Stop, plus Iris and Focus control using compatible lenses.
Environmental Specifications
Operating Temperature
0° to 40°C (32° to 104°F)
Storage Temperature
-20° to 45°C (-4° to 113°F)
Relative Humidity
0% to 90% non‑condensing
Storage Features
Storage Type
2 x CFast 2.0
2 x SD UHS‑II cards
2.5 inch SSD via optional URSA Mini SSD Recorder
Standards
SD Format Support
None
HD Format Support
1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60
Interlaced output via SDI 1080i50, 1080i59.94, 1080i60
Ultra HD Format Support
2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p50, 2160p59.94, 2160p60
SDI Compliance
SMPTE 292M, SMPTE 424 Level B, SMPTE 2081‑1, SMPTE 2082‑1
SDI Audio Sampling
48 kHz and 24 bit
Accessories
Optional Accessories
Blackmagic URSA Viewfinder
Blackmagic URSA Studio Viewfinder
Blackmagic Shoulder Mount Kit
Blackmagic Camera Fiber Converter
Blackmagic Studio Fiber Converter
Monture d’objectif interchangeable pour les objectifs à monture EF, PL ou F
Blackmagic URSA Mini Mic Mount
Blackmagic URSA Mini SSD Recorder
Blackmagic URSA VLock Battery Plate
Blackmagic URSA Gold Battery Plate

Essential accessories

A team at your service

Technical advice and information on 01 44 84 00 00

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Quick delivery

Secure delivery in 24 to 72 hours in mainland France

Customer service / after-sales service

By email or phone from Monday to Friday